Motown is some of the greatest shit ever recorded
| Mint doobsian organic girlfriend selfie | 12/27/24 | | trip shrine | 12/28/24 | | Mint doobsian organic girlfriend selfie | 12/28/24 | | trip shrine | 12/28/24 | | Mint doobsian organic girlfriend selfie | 08/03/25 | | Lavender free-loading police squad | 12/27/24 | | Mint doobsian organic girlfriend selfie | 12/28/24 | | soggy elastic band garrison | 08/03/25 | | histrionic area | 08/03/25 | | high-end nighttime partner parlour | 08/03/25 |
Poast new message in this thread
 |
Date: December 28th, 2024 11:43 AM Author: trip shrine
part of the answer is Holland-Dozier-Holland.
and listen to Levi Stubb's vocals on this HDH song:
https://www.youtube.com/watch?v=2EaflX0MWRo
(http://www.autoadmit.com/thread.php?thread_id=5655510&forum_id=2).#48495598) |
Date: August 3rd, 2025 1:15 PM Author: soggy elastic band garrison
music "sounding black" is really interesting, because in the cultural moment it can be the LOUDEST part of a piece of recorded music - the most noticeable, the most signified, to use a grad-schooly term.
But as time passes, that signifying gets completely lost. It would be like deleting a central component of the piece of art, and no one really notices.
I got thinking about this while listening to Louis Armstrong & Hot 5 stuff recently. It has swagger and attitude, but there is no overt blackness there... no danger, no threat to race relations, no encroachment on white space, etc.
I think this comes into play with Motown. I bet to contemporary and fresh ears a lot of what was heard was "black". And now there's none of that.
(http://www.autoadmit.com/thread.php?thread_id=5655510&forum_id=2).#49152829) |
|
|