Saul Zaentz, owner of Fantasy Records claimed that "The Old Man Down the Road" shared the same chorus as "Run Through the Jungle", a song from Fogerty's days with Creedence Clearwater Revival years before. (Fogerty had relinquished copyrights and publishing rights of his Creedence songs to Zaentz and Fantasy, in exchange for release from his contractual obligations to them.) Zaentz sued (Fantasy, Inc. v. Fogerty) but the defendant Fogerty ultimately prevailed when he showed that the two songs were whole, separate and distinct compositions. Bringing his guitar to the witness stand, he played excerpts from both songs, demonstrating that many songwriters (himself included) have distinctive styles that can make different compositions sound similar to less discerning ears.[11]

After prevailing as defendant, Fogerty asked the court to require Zaentz to pay for the attorney fees he had spent to defend himself against the copyright infringement claim. In such (copyright) cases, the Court of Appeals for the Ninth Circuit required prevailing defendants seeking recompense to show that the original suit was frivolous or made in bad faith. This case, Fogerty v. Fantasy, Inc., became precedent when the U.S. Supreme Court (1993) overturned lower court rulings and decided that Fogerty could be awarded attorneys' fees without having to show that Zaentz's original suit was frivolous. The lower courts then decided that Fogerty should be awarded his attorney fees, totaling $1,347,519.15.[12]

(http://www.autoadmit.com/thread.php?thread_id=5097748&forum_id=2...id#44429889)

=======

https://thedullwoodexperiment.com/2014/01/05/saul-zaentz-1921-2014/

Though Saul Zaentz was a producer, it may surprise people to learn that, over a period of thirty-one years, he only produced nine movies. But among them are some of the finest movies made in the last forty years: One Flew Over the Cuckoo’s Nest (1975), Amadeus (1984), The Mosquito Coast (1986), The Unbearable Lightness of Being (1988), and The English Patient (1996). That’s not a bad record.

Zaentz came to producing after a long stint at the influential Fantasy Records, first as a salesman then later on as a co-owner, and before that he started out in life as a gambler. With these two experiences it makes a certain kind of sense that Zaentz would do well in Hollywood. He was tenacious, invested his own money in his productions (often leading to his owning those properties), and often had final cut.

He surrounded himself with some of the most talented writers, directors and actors available – Peter Weir, Anthony Minghella, Jean-Claude Carrière, Jack Nicholson and Daniel Day-Lewis to name but a few – and took the kind of risks that other producers would steer well clear of. As a result he was a three-time Oscar winner (for One Flew Over the Cuckoos’ Nest, Amadeus (my personal favourite of his movies), and The English Patient.

He was one of the last, great independent producers. If there is any regret to be had with his passing it’s that he didn’t come to movie making a lot earlier; think how many other fiercely intelligent movies we could have had the privilege of seeing if he had.

1 – One Flew Over the Cuckoo’s Nest (1975)

2 – Three Warriors (1977)

3 – The Lord of the Rings (1978)

4 – Amadeus (1984)

5 – The Mosquito Coast (1986)

6 – The Unbearable Lightness of Being (1988)

7 – At Play in the Fields of the Lord (1991)

8 – The English Patient (1996)

9 – Goya’s Ghosts (2006)

10 – Milos Forman: What Doesn’t Kill You… (2009)

(http://www.autoadmit.com/thread.php?thread_id=5097748&forum_id=2...id#46468561)