Does recorded music always sound better on vinyl?
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Poast new message in this thread
Date: September 19th, 2026 10:29 PM Author: TurboGrafx-67
The best sound takes uncompressed raw digital data and uses a complicated process to make it analog
Even if it's vinyl they convert it to digital first. Then back to analog
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50144671) |
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Date: September 20th, 2026 1:32 AM Author: peeface
"it isn't actually better if a person can't hear the difference" is a bit of a different argument
but not even true. setting aside children and weirdos that can hear outside the red book standard... the low sample rate can cause filtering problems. it was very noticeable 30 years years ago, but DACs have gotten better.
and for anything that might be used in future production i'd certainly prefer the more generous source.
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50144828)
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Date: September 20th, 2026 1:44 AM Author: peeface
maybe you should be angry at yourself for getting into a conversation you don't understand, instead of at the guy trying to explain it to you.
first understand that sound is a wave, and the sample rate has to be twice the frequency.
44.1=22.05, right at the edge of human hearing you stupid cretin.
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50144833)
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Date: September 20th, 2026 1:55 AM Author: peeface
first, you are again wrong.
second, you might want to latch on to the comment i made above about filters and try to understand it. i know you don't, because you clearly don't understand things that come three rungs on the ladder below that, but it is important.
third, you ("Author: raped/touched/licked/fucked(Prestige Feuds)") are fucking not a bright guy.
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50144840)
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Date: September 20th, 2026 1:34 AM Author: zarathustra
this is fairer than any argument you or i will make:
give me the most definitive scientific research available on the ability of humans to perceive the higher fidelity of formats considered higher fidelity than red book cd
The most definitive, comprehensive, and widely accepted scientific study on this topic is a massive peer-reviewed systematic review and meta-analysis published in the Journal of the Audio Engineering Society (JAES).The paper, titled "A Meta-Analysis of High Resolution Audio Perceptual Evaluation," was authored by Dr. Joshua Reiss from the Centre for Digital Music at Queen Mary University of London.
This study is considered the gold standard because, rather than relying on a single experiment with a small group of people, it applied rigorous statistical meta-analysis to the entirety of available historical research.
The Scope of the Study
Dr. Reiss analyzed 80 publication candidates, ultimately narrowing the selection down to 18 highly controlled, published experiments that provided full, verifiable data sets.
Data Volume: The meta-analysis compiled data from over 400 unique participants.
Rigor: It evaluated more than 12,500 individual blind listening trials.
The Goal: To determine if subjects could successfully differentiate between "standard resolution" audio (16-bit/44.1 kHz or 48 kHz CD quality) and "high resolution" audio (anything exceeding Red Book CD standards, such as 24-bit/96 kHz or SACD/DSD).Key Findings: What the Data Proved
The study's conclusions forced both hardcore audiophiles and strict skeptics to compromise.
1. The Core Finding: Perception is Real, but Trivial
The meta-analysis concluded that humans can perceive a difference between high-resolution and CD-quality audio under blind conditions, and the result is statistically significant. However, the effect size is incredibly small. Across all 12,500+ combined trials, the average correct identification rate was roughly 53%.Context: A score of 50% represents complete random guessing. While 53% is mathematically "better than chance" over thousands of trials, it demonstrates that the difference is not a striking "night-and-day" auditory revelation for the general public.
2. The Multiplier: Auditory Training
The single most critical variable in the entire study was whether or not the listener was trained.
When data from untrained, casual listeners was isolated, their ability to perceive high resolution fell to near-total random chance.
When data from trained listeners (such as mastering engineers, audio students, or professional musicians) was isolated, the ability to tell the formats apart increased dramatically, pushing identification rates closer to 60%.Dr. Reiss noted that almost all the statistical variation between the 18 separate studies could be explained by one factor: whether the participants had been trained to know exactly what micro-artifacts or transient details to listen for.
3. Stimulus Selection Matters
The study also revealed that the ability to perceive high-fidelity audio depends heavily on the choice of music. Listeners were far more successful at identifying high-resolution audio when using longer samples (more than 30 seconds) and tracks with intense, sharp transients—such as the sudden pluck of an acoustic string or the strike of a metal cymbal. This aligns with theories suggesting higher sampling rates better preserve microsecond timing data in sound waves.
Other Notable Context: The Meyer & Moran Defeat
Before Dr. Reiss's 2016 meta-analysis, the most famous study cited by skeptics was the 2007 Meyer & Moran Study (also published via the Audio Engineering Society).Over a year-long period, researchers tested 60 members of an audiophile society across 554 blind trials.
They inserted a CD-quality bottleneck (16-bit/44.1 kHz) into a high-end SACD/DVD-Audio playback system.
The audiophiles guessed correctly exactly 49.8% of the time.
Why Reiss changed the narrative: While Meyer & Moran proved that an average audiophile cannot walk into a room and instantly spot a CD-quality filter, Dr. Reiss's meta-analysis demonstrated that when you zoom out to thousands of trials and focus strictly on trained ears listening to targeted audio cues, human perception can technically resolve details beyond the Red Book CD barrier.
Would you like to explore the specific neuroscientific or physiological theories (like time-domain transient resolution) that explain how trained ears pick up these differences? Or would you prefer a breakdown of how to train your own ears using an ABX test?
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50144830) |
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Date: September 20th, 2026 1:45 AM
It's impossible and it's been completely disproven. It's literally not possible. No one can hear beyond the range of human hearing and no one can hear more than 96 decibels of dynamic range for the same reason you can't hear a fly buzzing at the same time a jet airplane is taking off in front of you.
It's all poppycock and 3% over random guessing is statistical noise. It could easily be attributed to some other factor for instance in some blind tests larger file sizes take longer to load. That's an identifiable marker that could easily skew tests among many other possibilities. The fact that some people with training did better could again likely be someone who knew an identifiable marker in the file itself just like a marked card in a deck.
You are absolutely kidding yourself. It's also extremely pathetic that you can't even use your own words and need a robot to do it for you. Extreme loserdom.
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50144834) |
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Date: September 20th, 2026 10:22 AM Author: The Penis
Regarding the statistics, you are wrong. You are using the small effect size as proof of large statistical uncertainty. Those are different quantities. A coin that lands heads 53% of the time over a sufficiently large number of independent trials can have an extremely well established 3 point bias while remaining nearly unpredictable on any particular flip.
Your explanation about non-audio related tells is only a hypothesis. It could hypothetically explain some experiment under some design. But to overturn this specific result, you'd need to identify the cue and show that it produces the observed pattern.
I'm not saying there is definitely an effect or that it's a big one, just that you are overclaiming by saying it is 100% imperceptible.
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50145046) |
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Date: September 20th, 2026 10:43 AM
You would have to be able to prove a massive chain of custody. You would have to be able to prove that the music was recorded mixed mastered in hi res at every step of the chain, in some cases requiring specialized tools and equipment. For example where are you going to find a microphone that can capture audio up to eg 96,000 hz? Most mics top out at 20k or so. So you would have to really be able to prove that there was information captured way, way above the range of human hearing and that inaudible data was actually in the recording. You would then need to cut that master into two files, a hi res one and a red book CD.
I have strong doubts that the test would have been that scientific down to the level where we knew beyond a doubt that there was actually substantially more auditory information in the file than the other one, far beyond the range of human hearing. You would really need a lot of special tools to achieve this. And you would somehow have to be able to explain why information captured at many times the maximum range of human hearing was even audible.
Unless your entire theory is that the larger bit bucket is better for anti aliasing and reconstruction and you have personally abandoned the idea that anyone can hear up to 96 kHz. But hopefully you at least acknowledge that there's no information in say a Beatles record that was actually captured above the range of human hearing and even if somehow we could debunk the science of human hearing and refute it, at least you would still acknowledge that in 99.99999% of recorded music there is no information beyond the limitations of the equipment used in the recording which we know has no chance of going up to 96 khz and beyond or whatever.
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50145083) |
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Date: September 20th, 2026 10:56 AM Author: The Penis
Yeah you are making some legitimate points. I agree with some of this. I definitely agree that if the question is whether humans are directly perceiving acoustic information above 20–22 kHz then the experiment should establish that such information actually existed all the way through the chain.
But the question whether somebody discriminate a high sample rate version from a 44.1/48 kHz version is just a broader question than that. Aside from ultrasonic source content, filtering, conversion and other parts of the reproduction chain can create audible band differences.
I'm not trying to argue here that normal adults are hearing a 40 kHz sine wave. There are other ways two playbacks can become discriminable. A higher sample rate changes constraints on the entire conversion chain. Anti-aliasing and reconstruction filters can be different. Different filtering can alter the signal inside the audible band. Other stuff too. There are lots of things to take into account here.
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50145091) |
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Date: September 20th, 2026 11:17 AM Author: The Penis
I don't disagree that jitter in a competent modern DAC is generally far below audibility or that modern oversampling makes filtering extremely good. And I don't think people are directly hearing 40k tones. The problem is that that only constrains possible mechanisms, but it doesn't fully settle the question we were arguing over.
The aggregate listening data in the study shows a small above chance effect. So the scientific question is what produced that effect. If you can identify a confound that explains the 53/47 result then fine, that's an argument. Saying the underlying effect must be zero because the mechanisms you considered should be inaudible isn't though.
What reason do you have for doubting the results? You don't think its possible that the conclusions of the paper are correct and that the cause is unknown? It might not be one single thing, it could be an aggregate of different effects.
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50145118) |
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Date: September 20th, 2026 10:47 AM Author: S'mores-flavored cold brew (gunneratttt)
How's it different? I'm agreeing with you that 53% over a large enough sample size essentially establishes that it's not 50%.
A pass line bet in craps is so close to a 50% that can appear random, but over time the negative EV is certain. Same thing here.
If you set up an eye exam with an 8 and a B such that only someone with 20/10 vision could perceive the difference, the results would come out slightly over 50% that people can perceive the difference. There's a measurable and techically perceivable difference between the 8 and B, but only an extraordinarily perceptive person would he able to perceive the difference.
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50145087) |
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Date: September 20th, 2026 10:18 AM Author: S'mores-flavored cold brew (gunneratttt)
Repeating the same claims without evidence just highlights that you don't have any, especially when you emphasize it with 100 gorillion % and say literally over and over.
If it's so settled by science then it would be easy to cite something.
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50145044)
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Date: September 20th, 2026 11:09 AM
https://www.behindthemixer.com/images/frequencyresponse.gif
This is the most commonly used microphone in human history. It does not capture any ultrasonic information. It only goes up to 15 khz.
Now that you're not arguing for ultrasonic audio information anymore, are we merely talking about file size? You think that the same audio information in a much larger file size sounds better because of the anti aliasing algorithm and filter cutoff point? Same captured information, just a much larger file size. You think that makes a difference?
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50145112) |
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Date: September 20th, 2026 12:09 AM Author: luke the drifter (definite and ineradicable gauge of its upward moving)
Flatt & Scruggs Greatest Hits
Iron Butterfly In a Gadda da Vita
Johnny Cash at Folsom Prison
(http://www.autoadmit.com/thread.php?thread_id=5905299&forum_id=2/#50144781)
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