You know how Aladdin becomes a prince and has to continually lie to Jasmine about who he is, creating the main source of dramatic tension in the film? In this movie Jasmine (the smartest person in the movie but we'll get to that later) figures it out in literally the first night she meets Prince Ali.

They make Genie an actual person in this movie. There's an entire sideplot about him falling in love with Jasmine's handmaid. No I'm not kidding.

Jasmine gets to be SULTAN in this version of the tale. GRRLPWR.

Jasmine has two soliloquies in the middle of scenes were she sings a song about how she won't be silenced. Can't make this stuff up.

And my favorite: the ONE white male in the entire film is a buffoon. He speaks with a ridiculous accent, is cartoonishly effete and does things like call Jasmine's tiger kitty and tries to pet it.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38312632)

if you let your children watch any of this garbage you deserve what's coming to you

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38312653)

female empowerment is fine as an occasional theme I suppose, but it is in every movie now.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38312660)

I would object less if at least they based them on real people (say, female snipers in the USSR) but they never do this because it violates some other shitlib agenda.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38312906)

i always found it odd that they felt they had to do that, because imo Leia in the original trilogy was probably the "strongest" and toughest character, even if she wasn't beating Darth Vader with a light saber.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38312917)

Rey is a great example. She doesn't win because, like Luke, she struggled and studied and evolved to a point where she was a legitimate warrior, suffered terrible defeats, and learns from them. She wins with zero effort because ... girl power? In other words, the most important thing is being female. This, of course, does everyone a huge disservice.

I recently saw a little family with a little boy walking with a "girl power" t-shirt. This is the society we now live in.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38313791)

In the movie's ending, John Wayne has an epiphany and literally kicks his wife down a dirt road for miles while the local Irish villagers cheer him on. The wife, finally satisfied with her husband's manliness and dominance, happily goes and makes John Wayne dinner.

That - was a good fucking movie.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38314193)

He fools EVERYONE, even Jafar, who's had extended interactions with Aladdin and is looking for him because he has the lamp. He isn' tipped off at all. But Jasmine is apparently galaxy-brain in this universe and cracks the case.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38312694)

Then when she finds him out he goes "sike I'm really a prince who made up an elaborate story about being an orphan!" It makes no sense.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38312816)

No kids, saw this on a date. She loved the movie.. She's a birdbrain though.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38312824)

Adults (regardless of their relationship to XO) have a significant interest in criticizing leftist propaganda aimed at children. The indoctrination of children has caused significant damage to our culture, and we should do everything we can to prevent future generations from suffering the same fate.

If the indoctrination went the other way, and children's media included overt messaging to support right-wing causes, leftists (and the normie sheeple who follow leftist media cues) would be incensed. Could you imagine the reaction to a hypothetical children's movie which subtly promoted pro-life themes, or themes of traditional gender roles? "Adult" libs would lose their minds.

Hell, "Adult" libs consistently lose their minds when children's media is entirely non-political. "Adult" libs lost their minds two years ago when the Oscars didn't feature "enough" people of color. "Adult" libs lost their minds during gamergate simply because videogames (largely aimed at children) didn't have "enough" representation of their favored identity groups.

In conclusion, fuck libs, and fuck you too.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38313134)

Disney's propaganda during the early-mid nineties played a significant role in the perversion of our current culture. The "strong, empowered women" trope in 90's kids movies played a significant role in developing young millenial girls into the insufferable 30-year-old, childless, bitter shrews of today.

Second, it takes willful blindness to miss the overt feminist propoganda in all of Disney's recent movies aimed at children, teenagers, and young adults. They don't even try to hide it. The common thread between every single Disney property is their commitment to overt feminist (and leftist) propaganda:

Three out of four of the recent Star Wars movies (produced by Disney) featured a hyper-competent brunette woman protagonist. The fourth movie, "Solo: A Star Wars Story", featured a barely-competent Han Solo, who was assisted by a hyper-competent brunette woman, a robo-sexual black man, and a robot who caused a Marxist revolution of the robot working class.

The new face of Marvel (owned by Disney) is Captain Marvel, an aggressively female-supremacist superhero, played by an obnoxious identitarian activist. Over the course of the last several years, Marvel has gone out of their way to diminish their white male protagonists, and replace them with women, and people of color.

Disney's animation department has been releasing relentless leftist propoganda for years, as best exemplified by Frozen, a movie whose core message is that women do not need men to succeed, and should rely on other women instead.

Disney's re-imagining of "classic" movies includes the garbage Alladin movie that OP, who actually saw the movie, interpreted as SJW garbage. Other examples include "Beauty and the Beast", starring Emma Watson, the United Nations Goodwill ambassador behind the feminist "He for She" movement, and "Malificent", a re-imagining of the original Snow White villain as a self-empowered female protagonist who fights against patriarchal oppression.

It takes willful blindness to ignore the propaganda that Disney has been pushing for decades.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38313449)

You are the definition of a useful idiot.

As I said before, fuck libs, and fuck you too.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38314165)

Maybe there's something to it with the Marvel or Star Wars movies? I've barely seen any of that, though. I know the Lucas Star Wars got a little preachy and political(ish) at times (as if you need another reason to hate those movies) and I got some of that from The Last Jedi.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38314761)

The supporting cast, including Kristof, are great. But make no mistake, Kristof is more comic relief than an indispensable male lead. Even though I recall the scene with the wolves, Kristof is nothing like the "knights in shining armor" of classic children's fiction.

But just because a movie is good doesn't mean that it isn't also propaganda. The most effective propaganda is also great art.

This scene from the ending really shows who wears the pants in the Anna/Kristof relationship. Disney goes out of their way to demonstrate that Anna doesn't need Kristof. She is a strong, independent woman, who doesn't need Kristof to fight on her behalf:

http://youtu.be/jwvIT1gIhGw

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38315286)

My conclusion stands: Fuck libs, and fuck you too.

(https://autoadmit.com/thread.php?thread_id=4272664&forum_id=2#38314910)